Unable to start

CAST

Chukwudi Iwuji

Cyrano

—

Iwuji played the lead villain ‘The High Evolutionary’ in James Gunn’s international blockbuster Guardians of the Galaxy and co-starred in his series Peacemaker. Other film credits include John Wick: Chapter 2; A Woman, A Part; and Barry. Television credits include The Underground Railroad, When They See Us, The Split, Designated Survivor, and Doctor Who. A renowned theater actor, Iwuji’s credits at NY Public Theater include the title role in Othello, Anthony and Cleopatra, King Lear, Hamlet, The Low Road (Obie Award). In London for the RSC he played the title role of Henry VI (Two Olivier Awards), Obsession, Hedda Gabler, and Richard III. He will soon be seen in the film Play Dirty and limited series Day of the Jackal.

Rosa Salazar

Roxane

—

Rosa Salazar will next be seen starring in Play Dirty for Amazon MGM Studios. Her many film credits include playing the title role in Alita: Battle Angel for 20th Century Fox, director Robert Rodriguez and writer/producer James Cameron; A Million Miles Away for Amazon MGM Studios; The Kindergarten Teacher for Netflix; and The Maze Runner franchise for 20th Century Fox. In television she most recently produced and starred in Undone for Amazon and produced and starred in Brand New Cherry Flavor for Netflix.

Will Hochman

Christian

—

Will Hochman is best known in theater for his breakout performance opposite Mary-Louise Parker in Adam Rapp’s critically acclaimed play The Sound Inside. The play, directed by David Cromer, premiered on Broadway in 2019. Currently, Hochman can be seen opposite Tom Selleck as ‘Joe Hill’ on the final season of CBS’s Blue Bloods. Up next, Hochman will recur opposite Billy Crystal on the Apple series Before, and star as ‘Julian Turner’ in Marco Baratta’s feature film Turning for Heroboy Productions. Additional film credits include Peter Farrelly’s The Greatest Beer Run Ever opposite Zac Efron for Apple; Let Him Go opposite Kevin Costner for Focus Features; Critical Thinking opposite John Leguizamo; and Master opposite Regina Hall for Amazon Studios.

Kimberly Scott

Madame Ragueneau

—

Broadway: Joe Turner’s Come and Gone (Tony and Drama Desk nominations). Regional: Black Cypress Bayou (World Premiere @ Geffen), The XIXth (WP@Old Globe), Sweat (WP & Arena Stage), Familiar (WP@Yale Rep), Head of Passes (Berkeley Rep), Her Portmanteau (ACT Strand), American Night (WP & Kirk Douglas), Ruined, The Liquid Plain (WP), A Raisin in the Sun (Huntington), Death of a Salesman (Yale Rep), The Gospel at Colonus (Mabou Mines/Moscow Art Theatre). TV: Bob Hearts Abishola, Medium, Family Law, The Commish. Film: Respect, The Abyss, Love and Other Drugs, Guess Who, K-Pax, Sam I Am, The Client, Batman Forever, Batman & Robin. MFA: Yale. Two-time Beinecke Fellow @Yale Rep and Board Member for the extraordinary environmental nonprofit Mujeres de la Tierra (mujeresdelatierra.org).

Larry Powell (he/they)

Lignière 

—

Larry Powell is enough. They come from a family of visionaries who have been in Los Angeles for over a hundred years, longer than this great building has been standing. Honored to finally grace the Pasadena Playhouse, the last time they walked across a stage in Pasadena was in 2004 at The Alex Theatre, graduating from Oakwood Secondary School and then flying off to Pittsburgh a few months later to study Theatre Arts at Carnegie Mellon University. Proud to stand alongside my ancestors, happy to play my part. Deep gratitude, peace, and liberation.

Jens Austin Astrup

Alastair/Act 3 Soldier

—

Jens Austin Astrup, raised in Los Angeles, began performing at Crossroads School for Arts and Sciences, receiving the Darren Appel Award for Excellence in Theater. He recently graduated from Vassar College, where he pursued acting and literature. He recently recurred on HBO Max’s reboot of Gossip Girl. He is honored to be making his Pasadena Playhouse Debut. He gives special thanks to his manager, Lexy Alvarez as well as Samantha Crisp, and the rest of the team at Kohner.

Aaron Costa Ganis

La Bret

—

Aaron has worked theatrically on and off-Broadway in NYC and LA at the Roundabout Theatre Company, LAByrinth Theater Company, Second Stage Theater, The Public Theater, Geffen Playhouse and more. He currently recurs on Power Book III: Raising Kanan, and can recently be seen in Fantasy Island, The Endgame, Bull, Almost Family, Blue Bloods, Jessica Jones, House of Cards, and more. He can be seen in the recent films Susie Searches, The Noel Diary, Lazy Eye, Monsters and Men, and Set It Up. Aaron wishes to dedicate this show to June and Rick, his mom and dad. MFA: NYU Graduate Acting Program, BA: Brandeis University and University of Oxford.

E.M. Davis

Usher/Denise/Medic

—

A recent transplant to LA from Chicago, E.M. is thrilled to make their Pasadena Playhouse debut. They were last seen in Chicago Shakespeare Theater’s Richard III, directed by Edward Hall and starring Tony nominee Katy Sullivan. Regional credits include Stateville Voices (Goodman Theatre); Otello (Lyric Opera Chicago); At The Table, Plainclothes (Broken Nose Theatre, former Artistic Director); along with workshops of Joan (Northlight Theatre); Reawakening Desire (Red Orchid Theatre); and A Million Tiny Pieces (South Coast Repertory and Colorado New Play Festival). TV/Film: 4400 (CW); How'd It Go; I’m Pretty Sure My Therapist Thinks I’m a Bad Actor; My Dearest Sexual Freak. Recipient of the inaugural Sarah Siddons Society Professional Development Grant and proud member of AEA. @emdavischi

Christine Lin

Woman Sent By Roxane/Marie-Louise

—

Christine Lin is thrilled to return to the Playhouse after playing Connie in The Great Leap. Christine originated the role of Miss Zhao in David Henry Hwang's Chinglish on Broadway and at the Goodman Theatre. Additional stage: Back Room Shakespeare Project, CalArts CNP at the Huntington Library, Cincinnati Playhouse, Nashville Repertory Theatre, Firefly Theater & Films, Stir-Friday Night! (sketch comedy). Screen: Quiz Lady, Abominable, Surfside Girls, The Blacklist, Gossip Girl, American Horror Story, Ghost of Tsushima (video game). Originally a Chicagoland native, she studied at the Second City Chicago Conservatory as well as Steppenwolf West, UCB NYC/LA, and Duke University BSE in electrical and biomedical engineering. www.Christine2Lin.com

Barry Livingston

Theatre Owner/Priest

—

Barry Livingston's career has spanned decades. Stage credits include: The Skin Of Our Teeth on Broadway, Bertesgaden Off-Broadway, Cause Celebre at The Ahmanson Theatre, Love Streams directed by John Cassavetes, Creeps at Theatre Theater and most recently, Stella's Last J-Date at The Whitefire Theater. Film credits: War Dogs, Jersey Boys, First Daughter and such Oscar winning films as Argo, The Social Network, and Zodiac. On TV, Barry found national fame playing "Ernie" on the hit series My Three Sons for eight years. Recently, he's appeared in Bosch (recurring), Lessons in Chemistry, Mrs. Davis and many more. Working at Pasadena Playhouse is a dream come true for this SoCal native.

Michael Nathanson

De Guiche

—

Michael Nathanson is an award winning actor, writer, & producer. Best known to audiences as ‘Sam Stein’ in Marvel’s The Punisher (Netflix/Disney+) and ’Dr. Zinberg’ in Steven Soderbergh’s HBO series The Knick. Other credits include: Succession; FBI: Most Wanted; Marvelous Mrs. Maisel; Madam Secretary; Unforgettable; Chicago Med; The Good Wife; 30 Rock; Rescue Me; Elementary; Law & Order; Side Effects, directed by Steven Soderbergh; The Wolf of Wall Street. He has performed in theaters in NYC and across the country, including the national tour of The Lion King as Ed, Timon, & Zazu, and most recently received the CT Critics Circle award for his performance as ‘Uncle Louie’ in Neil Simon’s Lost in Yonkers, directed by & starring Marsha Mason, at Hartford Stage.

Kila Packett

Fencing Referee/Sentry

—

Kila was most recently seen on stage in Nöel Coward’s Hay Fever at The South Pasadena Theatre Workshop. Off-Broadway and Regional theaters include: Brooklyn Academy of Music, Classic Stage Company, Pearl Theatre Company, Crossroads Theatre Company, LaMaMa etc., Mark Taper Forum, The Wallis (Ovation Award), and Theatricum Botanicum. He is the co-author of Unnatural Acts (Drama Desk, Lucille Lortel, and GLAAD Award nominations). Film: Bad Hombres. Television: Grey’s Anatomy; Hawaii Five-0; NCIS: Hawaii; This Is Us; 9-1-1; Shooter; and S.W.A.T. Kila is the associate director of Shakespeare Youth Festival LA & Kenya, and head mentor with Young Storytellers. MFA: Columbia University's School of the Arts.

Sawyer Patterson

Valvert

—

Sawyer Patterson is excited to be making his Pasadena Playhouse debut. He grew up in Burbank, CA and was last seen on stage as Edward Brocket in Alice, Formerley of Wonderland by Mark Saltzman at Ensemble Theatre Company in Santa Barbara. He has a BFA in Theater Performance from Baylor University where he was seen on stage as Romeo in Romeo and Juliet and Alcippe in The Liar by David Ives. He was also an MFA Candidate in Theater Performance at UC Irvine. Sawyer is grateful to his sword mentors Jan Bryant and Dan Speaker and the Academy of Theatrical Combat for his foundation and training.

Jonathan Slavin (he/they)

Montfleury/Armande

—

Notable Theater Credits: Broadway: The Sisters Rosensweig (Barrymore Theatre). Off-Broadway/Regional: The Best Of Schools (Ubu Rep), Six Degrees of Separation (Dallas Theatre Center). LA Theatre: Sukkot (Skylight Theatre), Homefront (The Victory Theatre), Freud On Cocaine (The Whitefire), The Boomerang Effect (The Odyssey). Notable and/or recent film/TV: Sugar, Santa Clarita Diet, Starf*ckers, St. Dennis, Pam & Tommy, Dr. Ken, Better Off Ted, Grey’s Anatomy, Grace and Frankie, Speechless, Andy Richter Controls the Universe, Friends, My Name Is Earl. Proudly vegan and very queer.

John Garet Stoker

Annoying Person

—

John Garet is thrilled to be making his Pasadena Playhouse debut. Past theater credits include: Significant Other and Trayf at The Geffen Playhouse. Past film/television credits include: Insecure (HBO), Crazy-Ex Girlfriend (CW), CSI: Vegas (CBS), Eye Candy (MTV), and the upcoming film Inheritance starring Phoebe Dynevor. He received his BFA from Carnegie Mellon University. 

PASADENA PLAYHOUSE

Pasadena Playhouse, the official State Theater of California and recipient of the 2023 Regional Theatre Tony Award, is internationally recognized for its significant role in the development of American theater. One of the most prolific theaters in the country, the Playhouse has staged thousands of original productions since its founding in 1917 including premieres of works by Tennessee Williams, Eugene O’Neill, Suzan-Lori Parks, Gloria Calderon Kellett and hundreds more. For decades, its pioneering School for Theater Arts was a training ground for actors and theatermakers who went on to make significant contributions to the entertainment industry. Under the leadership of Producing Artistic Director Danny Feldman since 2016, Pasadena Playhouse’s productions and community programs are centered on its founding idea of being a living force in its community, making theater for everyone. Today, the Playhouse continues to advance the American theater and serves as a hub for the top theatermakers of our time.

Creative

Edmond Rostand

Playwright

—

Edmond Rostand (1868–1918) was a French poet and dramatist, best known for his 1897 play Cyrano de Bergerac. Rostand’s other works include: The Red Glove (1888); Les Musardises (1890); The Two Pierrots, or The White Supper (1891); Les Romanesques (1894), which was the basis for the 1960 off-Broadway musical The Fantasticks; La Princesse Lointaine or The Princess Far-Away (1895); La Samaritaine or The Woman of Samaria (1897); L'Aiglon: A Play in Six Acts (1900); Chantecler: A Play in Four Acts (1910); The Last Night of Don Juan (1921); Le Cantique de L'Aile (1922) and Le Vol de la Marseillaise.

Martin Crimp

Free Adaptation

—

Martin Crimp was born in 1956 and began writing for theatre in the 1980s. His plays include: When we have sufficiently tortured each other (2019), Men Asleep (2018), The Rest Will be Familiar To You From Cinema (2013, voted by Germany’s Theater heute best foreign play of the year), In the Republic of Happiness (2012), Play House (2012), The City (2008), Fewer Emergencies (2005, receiving Italy’s Premio Ubu), Cruel and Tender (2004, written for director Luc Bondy), Face to the Wall (2002), The Country (2000), Attempts on her Life (1997), The Treatment (1993, winner of the John Whiting Award), Getting Attention (1992), No One Sees the Video (1991), Play with Repeats (1989), Dealing with Clair (1988) and Definitely the Bahamas (1987).

His translations of plays include Botho Strauss’s Gross und Klein (2012), Ionesco’s Rhinoceros (2007), Marivaux’s The False Servant (2004) and The Triumph of Love (1999), Genet’s The Maids (1999), Ionesco’s The Chairs (1997), Koltès’s Roberto Zucco (1997), a new version of Chekhov’s The Seagull (2006), and adaptations of Edmond Rostand's Cyrano de Bergerac (2019) and Molière’s The Misanthrope (1996).

His work has been produced in the UK by the Royal Shakespeare Company, the National Theatre, Almeida, Young Vic, Barbican, Théâtre de Complicité, the Orange Tree and the Royal Court, and has been translated into many languages and widely produced abroad at venues including the Piccolo Teatro, Milan, the Sala Beckett, Barcelona, the Vienna Festival, the Théâtre des Bouffes du Nord, the Théâtre de la Ville, Berlin’s Schaubühne, Deutsches Schauspielhaus Hamburg, and at the Festival d’Automne in Paris, which presented four of his works in their 2006 season, including his first text for opera, Into the Little Hill, written for George Benjamin. His second collaboration with Benjamin, Written on Skin, had its world premiere at the Aix-en-Provence Festival in 2012, and the third, Lessons in Love and Violence, opened at London’s Royal Opera House in 2018.

In 2020 he was awarded the Nyssen-Bansemer Theatre Prize.

Mike Donahue

Director

—

Select credits include: LA premiere of Matthew Lopez’s The Inheritance (Geffen); Little Shop of Horrors with Michaela Jae Rodriguez, George Salazar and Amber Riley (Pasadena Playhouse); and world premieres of Matthew Lopez’s The Legend of Georgia McBride (MCC, Geffen, Denver Center), Jen Silverman’s Collective Rage (MCC, Woolly Mammoth), Ana Nogueira’s Which Way To The Stage (MCC), and Highway Patrol (The Goodman), co-created with Dana Delany, Dane Laffrey & Jen Silverman. Mike’s award-winning debut short film Troy premiered at the 2022 Tribeca Film Festival, screening at another 70 festivals internationally, including the 2023 Sundance Film Festival. Troy is a Vimeo Staff Pick Best of 2023 and featured online in The New Yorker’s Screening Room. Mike and writer Jen Silverman are currently working on their first feature with Pacific Electric producing.

Afsoon Pajoufar

Scenic Design

—

Afsoon Pajoufar is a New York-based designer of stage and environment for plays, operas, and other live performances. Recent works include Fuente Ovejuna (Theatre For A New Audience), Adoration (Beth Morrison Projects), Out Of Character (Berkeley Rep), Molière’s Dom Juan (Fisher Center at Bard SummerScape), English (Studio Theatre), Lady M (HeartBeat Opera), MƆɹNIŊ[MORNING/MOURNING] (PROTOTYPE 2022), Mad Forest (Theatre for a New Audience-Fisher Center at Bard), Word.Sound.Power (Brooklyn Academy of Music), Paper Pianos (EMPAC), Will You Come With Me (The Play Company), and The Silence (Massachusetts Institute of Technology). Internationally, her work has taken her to Alte Münze (Berlin) and Schauspiel Köln (Cologne). She is a member of USA829. https://www.afsoonpajoufar.com/

Carolyn Mazuca

Costume Design

—

Carolyn Mazuca is a Texas born and Los Angeles-based Costume Designer for stage and screen. Her work is inspired by her love of character development, her fine arts background, and her family’s generational history in the arts. Carolyn’s theatrical work includes the productions of La Havana Madrid at South Coast Repertory, Native Gardens at Dallas Theatre Center, and Mother Road at Oregon Shakespeare Festival and Arena Stage. Her film work includes the designs for Body Language (post-production) and What?. Carolyn is a member of the IATSE Costume Designers Guild and works as an Assistant Costume Designer on union productions such as Perry Mason Season 2. Carolyn earned her BFA in Costume Design from Carnegie Mellon University. www.carolynmazuca.com

Josh Epstein

Lighting Design

—

Pasadena Playhouse credits include Little Shop of Horrors, The Fantasticks, and Real Women Have Curves. His work has been seen all over Los Angeles and in theaters nationwide, including Geffen Playhouse (The Inheritance, The Legend of Georgia McBride); Mark Taper Forum (November); Guthrie Theater; Goodman Theatre; Arena Stage; Trinity Repertory Company; Cincinnati Playhouse; Baltimore Center Stage; and Alliance Theatre. Josh is an ensemble member at IAMA Theatre Company and is on the faculty at Chapman University. He is an LA Ovation and Knight of Illumination Award winner and a Helen Hayes Award nominee. Josh received his MFA from New York University’s Tisch School of the Arts. He lives in Los Angeles with his wife and three daughters. 

Edward Hansen

Lighting Design

—

Edward S. Hansen is a lighting designer and associate for theater, installation, and events. Selected Assistant/Associate credits include The Inheritance (The Geffen Playhouse), Between Two Knees (Perelman Center for the Performing Arts), When Playwrights Kill (Signature Theatre New York), GLOW: The Gala, Warner Bros. Icons of Horror, & Music (Madame Tussauds New York). Edward received his B.F.A. in Theatre Design from the University of Southern California. www.edwardshansen.com

Veronika Vorel

Sound Design

—

Pasadena Playhouse: Little Shop of Horrors. Locally, she has designed at the Geffen Playhouse, Kirk Douglas Theatre, Cornerstone Theatre, Theatre @ Boston Court, East West Players, and IAMA Theatre Co. Regional Sound Design credits include Denver Theatre Center, Shakespeare Theatre Company, Ford’s Theatre, Woolly Mammoth, Folger Theatre, Olney Theatre, Everyman, Yale Rep, Signature Theatre (VA), Kansas City Starlight Theatre, and others. Associate Sound Design: Manhattan Theatre Club, The Kennedy Center, CENTERSTAGE, Arena Stage. Outside of the theater, she has taught undergraduate and graduate students, and spent five years at Walt Disney Imagineering. Training: Prague Conservatory of Music, California Institute of the Arts, Yale School of Drama.

Rachel Lee Flesher (they/she/he)

Fight Director/Intimacy Coordinator

—

Select Los Angeles: Jelly’s Last Jam, One of the Good Ones (Pasadena Playhouse); Cabaret, Destiny of Desire, Dial M for Murder (The Old Globe Theatre); Cassils Human Measure (RedCat Theatre); Radical (IAMA Theatre Company). Select Chicago: Romeo and Juliet (Chicago Shakespeare Theatre); Twilight Bowl, Relentless (Goodman Theatre); Constellations, I Am Not Your Perfect Mexican Daughter, The Most…Miz Martha Washington (Steppenwolf Theatre); The Displaced (Haven Theatre); First Love is the Revolution (Steep Theatre). Select television: Intimacy Coordinator: GLOW, You, Hunters, Presumed Innocent, Gaslit. Accreditation: Flesher is on the SAG-AFTRA Intimacy Coordinator registry, CEO of Intimacy Professionals Education Collective, SAG-AFTRA stunt performer, and Fight Director and Instructor with Fight Directors Canada.

Christine Adaire (she/her)

Voice/Text Coach

—

Christine is the former Head of Voice at American Conservatory Theatre. She is a Designated Linklater Voice Teacher. She has worked as an actor, voice/dialect coach, and director in many regional theaters, including Guthrie Theater, Chicago Shakespeare, Old Globe, Center Theatre  Group, Goodman Theatre, Oregon Shakespeare Festival, Steppenwolf, and Shakespeare & Company. Christine has taught at DePaul University, UMASS–Amherst, University of Wisconsin–Milwaukee, and Roosevelt University. She has given workshops in Shanghai, New Zealand, Barcelona, King’s College (London), and Birmingham. Her current area of research and writing is Gender Affirming Voice. She works with transgender/gender diverse individuals so they can inhabit the voice that expresses their gender identity. christineadaire.com

Ryan Bernard Tymensky, CSA

RBT Casting

—

Ryan has made significant casting contributions to the film, television, and theater industry. With over a decade of experience working at one of the worlds premiere casting offices, The Telsey Office, Ryan has built a diverse portfolio spanning across various mediums. Ryan’s versatility in the world of casting speaks for itself. For the last eight years, Ryan has cast many theater productions in Los Angeles, including many shows at Pasadena Playhouse and The Wallis. Their portfolio also includes notable TV and film projects such as the Wicked movies, This Is Us, Atypical, and many more. Ryan puts inclusion and diversity at the heart of everything they do. Their mission is to celebrate and actively advocate for performers who reflect the full spectrum of human diversity to help expand a multiplicity of narratives; narratives that reflect the real world we live in and challenge conventional boundaries that currently exist in the entertainment industry. rbtcasting.com. @rbtcasting

Colleen Danaher (she/her)

Stage Manager

—

Broadway: Godspell, Wonderland, South Pacific, Lend Me a Tenor, Grease, Grey Gardens. Touring: 11 years with the 2nd National Company of Wicked. Regional: Every Brilliant Thing and POTUS at the Geffen, and many productions at the Vineyard Playhouse on the beautiful island of Martha’s Vineyard. Love to Michael and Gus. <3 to LBB

Jessica Keasberry-Vnuk

Assistant Stage Manager

—

Jessica is happy to be returning to Pasadena Playhouse! Recent credits include: Jelly’s Last Jam, Inherit the Wind (Pasadena Playhouse); A Christmas Story, The Secret Garden, 2:22 A Ghost Story (Center Theatre Group – Ahmanson Theatre); A Transparent Musical (Center Theatre Group – Mark Taper Forum). Other theater companies Jessica has worked at include South Coast Repertory, LA Theatre Works, Ojai Playwrights Conference, The Old Globe, Williamstown Theatre Festival, Laguna Playhouse, and International City Theatre. She received her B.A. in Drama and Certificate in Arts Management from the University of California, Irvine.

Kimberly Sanchez Garrido (she/her) 

Assistant Stage Manager

—

Cyrano de Bergerac 

PRODUCTION STAFF

Stage Manager

Colleen Danaher

Assistant Stage Manager

Jessica Keasburry-Vnuk

Assistant Stage Manager

Kimberly Sanchez Garrido

Production Assistant

Zoe Trac-Ople

Assistant Costume Designer

Azucena Domínguez

Assistant Sound Designer

Andrew Tarr

Deck Chief

Matt Petosa

Head Electrician

Vsev Krawczeniuk

Assistant Head Electrician

Fiona Jessup

Lead Audio

Corey Charness

A2

Marcos Friedman

LX Programmer

Keannak Parvaz

Wardrobe Supervisor

Danyele E. Ragland

Props Head

Douglas Puskas

Lead Scenic Painter

Johnny LeBlanc

Head Carpenter

Anthony Arevalo

Assistant Carpenter

Alexis Garduno

Carpenters

Jacob Nava, Frankie Paglianti, Sean Lewellyn

Electricians 

Frankie Panglianti, Amahl Chekh Khalil, Victor Bustos, Steven Garcia, Ashley Johnson, Armon Rivera

This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The technical employees of the Pasadena Playhouse are represented by the INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS, OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC: Local 33 Stagehands, Local 706 Make-up Artists and Hair Stylists Guild Local 768 Theatrical Wardrobe Local 800 Art Director’s Guild. The scenic, costume, lighting, and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.

Scenic materials provided by A&G Lumber. Lighting Rentals furnished by Kinetic Lighting.

Sound Rentals furnished by DNB Sound. 

 The videotaping or other video or audio recording of this production is strictly prohibited.